The sketch phase |
This is a playbill piece for the Broadway Theater in Pitman, NJ. The play is titled "Monster Mash". To the right is my initial sketch (after many little sketches and a few failed thumbnail sketches) for the final piece. I guess I'll just jump right in. After looking at it a bit, my teacher and I agreed that Frankenstein's monster was a bit too short. He needed to tower over the others to be a bit more believable. I was trying to go for a more family-esque looking team of monsters. This was for a children's theater show after all. I tried to make them all buddies, and even tried to make the wolf-man into more of a wolf-boy. So, after the sketch, I took it into Photoshop and cut out Frankenstein's monster and moved just is upper half up. I figured I could just paint in the rest.
The underpainting phase |
To the left is the second step, and then some in most areas. Here I am showing how I block in colors, and textures so that I can get a good sense of what the darks and lights will eventually be. What I mean is once I establish the middle green, then I know to make that green darker or lighter in the instance of painting Frankenstein's monster's face. It helps to keep the whole piece and its parts cohesive. This is also the step where I finalize a lot of key fixes from the sketch. I noticed that I actually didn't like the point on top of Dracula's head so I smoothed it over in the painting. There were also minor fixes done here like the bolts on Frankenstein's Monster's neck.
Final choices stage |
The final image |
To the left here I've added some clouds, lightning, and the moon. Textures are all finished and established. I referenced about 20 different pictures of lightning before I got the look and feel that I wanted. In Photoshop, I just added a glow effect to the lightning to help bring it out in the sky. Same thing for the stars and the moon. It helps to reinforce the lighting of the characters in the front. They are lit up a bit too much, but the lightning has a pretty good ability of throwing light and reflective light around.
While this image was not selected for print by the theater, this was one of my more favorite pieces of the three that I did. I feel I am starting to evolve my style into a more digital workflow. I am pushing painting concepts that I otherwise had a hard time doing with real paint. While this piece doesn't deviate too far from my normal work, it helped me to open up to a new way of digitally working. Don't believe me? Just look back through this blog and you'll see what I mean. Thanks for reading if you've made it this far. If you have any comments or questions, leave them in the comments section. Also, if you have an idea of what my next blog post should be, leave that in the comments too. I'd love to hear some people's ideas!
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